Monday, January 31, 2011

A Writer's Influences: Jim Nisbet

Jim Nisbet, author of Windward Passage, Lethal Injection, The Damned Don't Die, and the forthcoming Old & Cold, recently sent us this note on what writers have influenced him most:

"That's a long list and, one way or another, it would have to include almost everything I've every read.

I've been around a long time, of course. So, for example, I read almost all of Dostoyevsky when I was 22 and maybe 23 years old. I went to my draft physical bearing a copy of The Idiot, and, basically, I never got over Dostoyevsky. Those translations were done by a woman named Constance Garnett. Now, 40 years later, we have in America a completely new and really interesting re-issue of all the novels of Dostoyevsky as translated by the team of Richard Pevear and his wife, Larissa Volokhonsky, and these translations are just terrific. As a result, to date I've reread The Possessed, The Devils, The Gambler, Notes From Underground... And, you know what? Dostoyevsky is still great.

Pevear and Volokhonsky, by the way, have made a big hit here with their translation of War And Peace. I reread that, too, but, you know what? As my friend the late, lamented Robin Cook (aka Derek Raymond; is he translated in Italy?) used to say, "Tolstoy? You can have Tolstoy." Apostasy! Sacrilege! But, well...

Stendhal (much borrowed by Tostoy); I have a collection of English translations of Le Chartreuse de Parme and reread it regularly. (My favorite one remains the first one, done by The Lady Mary Lloyd; my copy was published in 1901.) I hope one day to be able to read it in French. But I also just read La Vie de Henri Brulard. Cesare Pavese I could mention, and Curzio Malaparte -- why not? I'm talking to an Italian! I've even read Ferdinando Camon. Who can forget the entire family fighting over the anchovy hanging by a string over the dinner table? Not so much Moravia... All of Jane Austin. Most of Beckett. Moby-Dick -- what a book! A Story of A Life by Konstantin Paustovsky. All of the literature of single-handed sailing, particularly of course by the circumnavigators, starting with and often coming back to Sailing Alone Around The World by Capt. Joshua Slocum. Books on astrophysics...

But you probably want to know about thrillers. So, Jim Thompson, David Goodis, Dan J. Marlowe... which brings me to...

Chandler, Hammett, H.P. Lovecraft, Ross Macdonald ... and Kerouac. I've read much of what these guys wrote, and avidly, and years ago, and, you know what? Unlike Dostoyevsky, I've not been able to bring myself to repeat the experience. There you have it. But I very much admire The Factory Series, and that before I met its creator, the English writer Robin Cook, whom I came to count as a friend, but of whom, interestingly enough, I never read or heard of until I started going to France. He's still relatively unknown...

When I was nine and ten and eleven years old I read all kinds of Mickey Spillane and various other thrillers, A Coffin for Dimitrios, James Bond, but no more.

Christ, I forgot about Faulkner!... And never mind every book about Antarctic exploration, beginning and ending with The Worst Journey in The World, by Apsley Cherry-Garrard.... Then there's Wilfred Thesiger! And all the Voyageurs tramping North America, looking for plews and the northwest passage. A huge body of literature. Mad dudes like Celine and the Marquis de Sade...

And the poets! One of my back-burner projects is a complete English translation of Les Fleurs de Mal. there're about 115 of them. I've done 35...

I can't list all the authors, let alone all their books. This is a very long discussion... Endless... It's one of the reasons why literature is so great. That, and it's not television... One of the joys of being a writer is that you get to read all the time. That's my approach, anyway... "

Dark Companion will be published in a new trade paperback edition on March 29. Join Jim Nisbet at M is for Mystery in San Mateo, Ca on Wednesday, March 30 for a reading and Q&A.

Thursday, January 27, 2011

ForeWord praises "The Piano Player in the Brothel: The Future of Journalism"

It's a snowy day here in NYC, but we got some great news this morning when we opened ForeWord's review of The Piano Player in the Brothel: The Future of Journalism, by Juan Luis Cebrian. The review says that the book is "a thoughtful collection of essays exploring the storied past and shifting present of reporting, a call to encourage what is best in journalism as we move into the tumultuous era of online news." It goes on to conclude that Cebrian's work is "a thoughtful collection of essays exploring the storied past and shifting present of reporting, a call to encourage what is best in journalism as we move into the tumultuous era of online news."

The whole review is below. This book goes on sale March 3, so current and aspiring journalists and media-watchers, take note. Happy reading!

The Piano Player in the Brothel: The Future of Journalism
Juan Luis Cebrian
Eduardo Schmid, translator
Overlook Press
Hardcover $24.95 (192pp)
978-1-59020-394-1

Veteran journalist Juan Luis Cebrain finds his occupation embattled on many fronts: Newspapers losing readers to the immediate news available online; the globalizing effects of the world wide web are reshaping languages all over the globe; one hundred million blogs exists, with roughly one thousand added each day. What is the role of journalism, and journalists, in a landscape that changes so rapidly? The Piano Player in the Brothel is Cebrain’s answer, a thoughtful collection of essays exploring the storied past and shifting present of reporting, a call to encourage what is best in journalism as we move into the tumultuous era of online news.

Cebrian’s title is taken from a popular joke: one man admits to another that he is a journalist, but pleads “Don’t tell my mother I’m a journalist. She thinks I play piano at the whorehouse.” A comments on the fluid state of journalism, at times contemptible, other times noble, always changing in relation to the people it serves. No one knows this better than Cebrain. After starting his career under the Franco regime and becoming the director of El Pais, Spain’s largest newspaper, Cebrain is an authority on the democratizing effects of an open press.

Cebrian uses this first-hand knowledge to color his essays, mapping the historically tenuous relationship between journalist, government, and reader. He visits America for his example of maintaining journalistic integrity, noting, “Watergate was a reminder of journalism’s role as a watchdog against corruption and has come to symbolize journalistic independence, a check against political power.” He describes the difficulty of telling the truth under the Franco regime, where journalists were routinely bullied by the government’s Press Agency. Cebrain’s analysis of the role of journalism in the war on terror is nuanced and thoughtful: he applauds the media’s show of respect by not showing the bodies of victims on television, but finds reprehensible the large television networks’ manipulation of viewers while covering the Iraq War..

Some of the most salient questions in modern journalism are raised in this collection. What is the role of traditional journalism in a world of blogs? Can a society retain its unique culture in the face of the globalizing behemoth of the Internet? Is it possible for newspapers to maintain their independence while experiencing shrinking profits and massive budget cuts? These questions have stumped journalists across the globe, and Cebrain does not have the answers. But he believes the solutions may be found once the questions are brought forward and discussed. “That is what I have attempted to do with these essays: to destroy myths, to provoke discussion fit for whorehouses,” Cebrain writes. “Maybe this is the secret to survival in the digital revolution.” This collection is a sure to do just that, educating the reader of journalism’s past while reminding us of the qualities found in the best reporting, those that are needed more than ever in the digital future.

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(A picture of our Wooster Street office this morning, after 19 inches of snow. Woo!)

Tuesday, January 25, 2011

Congratulations, True Grit film!


This morning brought the exciting news that True Grit was nominated for 10 Academy Awards, trailing only The King's Speech, which received 12. We have to say that we think these are all incredibly well-deserved. A fine job by Paramount, the Coen Brothers and everyone involved!

Jeff Bridges - Actor in a Leading Role
Hailee Steinfeld - Actress in a Supporting Role
Art Direction
Cinematography
Costume Design
Directing
Best Picture
Sound Editing
Sound Mixing
Adapted Screenplay

As an added bonus, the ebook of True Grit is available today across all ebook platforms, as are Charles Portis' other four novels. Happy reading, and happy film viewing! Good luck to everyone at the Oscars!

Thursday, January 20, 2011

Hooray for TRUE GRIT and Charles Portis!


Yesterday, we got the extremely exciting news that True Grit will be the next #1 on the New York Times bestseller for trade paperback fiction. For a book that's been around since 1968, the "Portis revival" (The New Yorker) is incredibly welcome. While of course we love to see our books sell, we acquired Charles Portis' work long before the Coen Brothers film adaptation was planned--because we think they are truly American classics that deserved to stay in print.

To celebrate, we're giving away a FULL SET of Charles Portis' novels. At this point, everyone's heard of True Grit. But some of us are huge fans of Norwood here, and many consider The Dog of the South to be Portis' finest work. We also thought Gringos and Masters of Atlantis were absolute American classics. So we're giving away ALL FIVE books to one lucky winner. Leave a comment here, on Twitter or on Facebook to win--winners announced tomorrow!

Don't forget that these will all be available as ebooks next week and stay tuned for the announcement of the Academy Awards nominees on January 25--we're keeping our fingers crossed that the great reviews of the film translate into much-deserved Oscar nods! And check out this great book buzz from USA Today about True Grit.

Happy reading!

Tuesday, January 18, 2011

Calling all street art fans...


Zocalo Public Square has some fantastic preview photos up from our upcoming book STREET KNOWLEDGE, by King Adz. It's the insider's guide to street art, featuring some of the biggest names and rising stars in that world, and full of history, anecdotes and how street art has influenced urban development.

Any photography or design aficionado will appreciate these gorgeous images, though. Head on over to Zocalo Public Sqaure to enjoy!

Our personal favorite:


Can't wait for this book to go on-sale on March 31!

Friday, January 14, 2011

Congrats to Dave Zeltserman on the ALA Shortlist!


We're thrilled to announce that David Zeltserman's THE CARETAKER OF LORNE FIELD was shortlisted by the ALA for the 2011 RUSA Reading List in the Horror category. It was a great year for genre fiction in general (two Overlook favorites, Olen Steinhauser and Louise Penney, were also winners) but we're excited that Zeltserman's quirky "superb mix of humor and horror" (Publishers Weekly) got some much-deserved recognition.

Horror

“The Dead Path” by Stephen M. Irwin, Doubleday (9780385533430)

Guilt ridden Nicholas Close retreats to his family home in Australia after the tragic death of his wife, only to encounter an ancient malevolence lurking in the nearby woods. Childhood nightmares and fairytale motifs combine in this emotionally powerful tale of implacable evil. Arachnophobes beware!

Read-Alikes:

“It” by Stephen King, “Faerie Tale: A Novel of Terror and Fantasy” by Raymond Feist, “Dark Hollow” by Brian Keene

Short List:

“The Caretaker of Lorne Field” by David Zeltserman, Overlook (9781590203033)

“The Frenzy Way” by Gregory Lamberson, Medallion Press (9781605421070)

“Horns” by Joe Hill, William Morrow (9780061147951)

“So Cold the River” by Michael Koryta, Little Brown (9780316053648)

Wednesday, January 12, 2011

Author Jonathan Fast in the Daily Beast

The Daily Beast has a fascinating article up about the tragedy in Arizona asking a question so many of us have--"Loughner's Parents: Did They Know About His Mental Illness?" One of our authors, Jonathan Fast, was asked for his perspective. Dr. Fast is a professor of social work at Yeshiva University and author of Ceremonial Violence: Understanding Columbine and Other School Rampage Shootings.

Here's the full article, but below is Dr. Fast's quote.

In a family that seemed to prize privacy so much, it’s conceivable that Randy and Amy knew little or nothing about Jared’s disturbing YouTube videos and impenetrable rants on his MySpace page. And given what neighbors call Randy’s “anger management problem,” perhaps the son’s diatribes didn’t seem entirely out of place. “It's impossible to say for certain, but these kinds of shooters are usually alienated from their families,” says Jonathan Fast, associate professor at Yeshiva University’s Wurzweiler School of Social Work and author of the book Ceremonial Violence, based on his study of school shooters. “You learn to express yourself with your weapons instead of your words.”

"A valuable manual for aspiring journalists" - LJ

We're thrilled to be bringing out a look at the future of journalism from Juan Luis Cebrián, one of Spain's most influential people in the modern news industry. Called THE PIANO PLAYER IN THE BROTHER: THE FUTURE OF JOURNALISM, the book's title is a riff on a common joke about journalists (and lawyers!). We're glad to see that Library Journal thinks Piano Player is a worthwhile read as well. With the lightning-quick changes in the news industry, it's more important now than ever for us to understand the historical role of the journalist and explore what responsibilities he or she has in a democratic society. In Cebrián's own words, "the best way to transform the world is to help others understand it. This is the calling of journalism."

Cebrián, Juan Luis. The Piano Player in the Brothel: The Future of Journalism. Overlook, dist. by Penguin. Feb. 2011. c.192p. tr. from Spanish by Eduardo Schmid. ISBN 9781590203941. $24.95. COMM
What is the future of journalism? Cebrián (Red Doll), a novelist and one of the original editors of Spain's newspaper of record, El País, analyzes the changes to the traditional newspaper in particular and to the profession in general. In this collection of insightful and instructive essays, he addresses the challenges journalists face in this age of instantaneous electronic media. The illustrious newspaperman brings a sense of history and gravitas to his writing, a result of living and working in a country transitioning from the media-restricted Fascist regime of Francisco Franco to a struggling democracy with a free and open press. This experience is what leads Cebrián to assert that journalism plays a vital role in protecting civil liberties and democratic values.
Verdict: This gem of a book is a valuable manual for aspiring journalists and an informative guidebook for the rest of us.—Donna Marie Smith, Palm Beach Cty. Lib. Syst., FL

Read the review online here.

Tuesday, January 11, 2011

Matt Damon gave "literally everyone" True Grit for Christmas



Mr. Damon, 40, says he was unfamiliar with the 1968 Charles Portis novel that inspired the movie prior to signing on for his role in the Coens' film. "It's a great American classic and I don't know how I missed it up to now," he said. "It's beautifully written and I've been recommending it to everyone. I literally gave it to everyone for Christmas this year."

Just when we thought we couldn't love Matt Damon more comes this fantastic Q&A with him in the Wall Street Journal. While we think he absolutely nailed the role of LeBeouf, we're especially thrilled that this film introduced him to True Grit and Charles Portis.

Just a reminder for those of you who prefer to read your books in the 21st century way--True Grit will be released as an ebook on 1/21.

Happy reading!

The Wall Street Journal
NY Culture
January 11, 2011
by Michelle Kung

With $110 million and counting at the box office, the Coen brothers' remake of "True Grit" has become one of the most successful Westerns in Hollywood history, thanks in no small part to the effort of stars Jeff Bridges, Hailee Steinfeld and Matt Damon, who plays the comical but steadfast Texas Ranger, LaBoeuf.

Mr. Damon, 40, says he was unfamiliar with the 1968 Charles Portis novel that inspired the movie prior to signing on for his role in the Coens' film. "It's a great American classic and I don't know how I missed it up to now," he said. "It's beautifully written and I've been recommending it to everyone. I literally gave it to everyone for Christmas this year."

Mr. Damon, who lives with his family in New York, spoke with the Journal about "True Grit," the Coen brothers and New York City tax breaks.

Recently you've been working with directors you've made films with before, like Clint Eastwood and Steven Soderbergh. What was it like being directed by the Coens for the first time?

The Coens weren't totally unfamiliar to me because I did a movie ["The Good Old Boys"] in 1994 with Frances [McDormand, who is married to Joel Coen], and Joel was around on set. Also, because I've had so many friends work with them, I had already heard a lot about their process. There wasn't a sussing-out period; I felt very comfortable right away. Part of that though, is that they try very hard to make everyone feel comfortable on-set. I'm hoping I get to keep working with them. We did [an interview with] Charlie Rose about a month ago and as we were leaving, I asked them what they were working on. They said they didn't know, so I said, "Untitled Matt Damon Project"?

Maybe you're good luck for them, seeing as the film's gross has passed the $100 million mark.

And don't think George [Clooney] and Brad [Pitt] won't be hearing about that.

Why do you think this particular Coen brothers film has connected with audiences?

I honestly don't know why this one caught on—maybe because it was a familiar property. All of their films are just so beautifully made. In general, it's less about genre; audiences don't suddenly say, "I want to go see a Western now." I think there's just something about the story that people connect to and it's a great book. A lot of it has to do with Charles Portis. He's got a pretty militant following. People who know his work really love his work, so I think he definitely deserves a lot of credit. The book worked as a film in 1969; it's working again.

How did you and the Coens develop the character of LaBoeuf?

There were quite a few things we talked about. On the technical side, my character gets a tongue injury, which we figured out how to play pretty quickly. But there were more discussions about what we wanted this guy to look like and how we wanted to get this character, who's so well-drawn in the book, across to audiences. We found the answer in Tommy Lee Jones, who directed the movie I did with Fran in 1994. We all spent the summer with Tommy Lee in West Texas, where he's from, and he just happens to be a really interesting guy to talk to—a prizefighter conversationalist. So the Coens and I started talking about Tommy Lee and other people that are fun to listen to, like Bill Clinton, and thought about what it would be like if a person had that kind of showy presentation—but was devoid of substance. That's how we approached LaBoeuf.

Your next film is "The Adjustment Bureau", a sci-fi thriller that you shot in New York and was directed by George Nolfi, who's perhaps better known as a screenwriter.

I worked with George on both "Ocean's Twelve" and "The Bourne Ultimatum." Particularly on the last "Bourne" movie, there was so much pressure on us because we were on the set of this giant movie and we had no script. It doesn't get more pressure-packed than that in the movie business. You're under significant pressure as the director of a film, but anything would pale to the pressure he was under on "Ultimatum."

Given the various cities you and your family have lived in, where is home these days?

We're based in New York. I try to get everything I can in New York. There's a pretty good tax deal there right now, so you can make the argument with a straight face to any production that they should shoot their interiors in New York. So I try to do that as much as possible.

Monday, January 10, 2011

Happy birthday, Walter R. Brooks!


Many Overlook fans are familiar with our company because of Walter R. Brooks. We published a biography of the great writer a few years ago, called Talking Animals and Others: The Life and Work of Walter R. Brooks, and we recently published his beloved Freddy the Pig novels for the first time in paperback.

He's been a great cultural influence (he inspired the character of Mr. Ed, too!) and in honor of his birthday, we're giving away a copy of FREDDY THE DETECTIVE. Leave a comment here or on Facebook or Twitter to win!

Happy reading! Hug a talking animal today in honor of Walter R. Brooks.

Thursday, January 06, 2011

New from Overlook: THE KILLER WITHIN


It's a bittersweet publication date for us at Overlook--today THE KILLER WITHIN: IN THE COMPANY OF MONSTERS hits shelves. The book is the memoir of the late bestselling crime writer Philip Carlo, who passed away in November at the age of 61. The book details his life with amyotrophic lateral sclerosis (ALS, also known as Lou Gherig's disease).

A resident of New York City and author of the bestselling The Ice Man, Gaspipe, and The Butcher, Carlo continued to write in the face of this daunting disease. His story is an important one, and one that will hit home for the millions who suffer from ALS and their loved ones. His grace in the face of adversity is evident on every page.

Wednesday, January 05, 2011

Fran Lebowitz loves David Carkeet (and so do we!)


Over on The Rumpus, an Overlook favorite, Kevin Nolan looks back at writer Fran Lebowitz's 1997 appearance on Charlie Rose. It's a "year in books" episode, and Nolan found Lebowitz's mention of Overlook author David Carkeet particularly interesting.

Lebowitz also mentions a writer I would not have known in 1997 and was still unaware of until recently: mystery writer David Carkeet. He’s very funny, said Lebowitz, and she highly recommended Carkeet’s debut comic novel Double Negative. It was nominated for an Edgar Award in 1980, and it is being kept in print today, appropriately perhaps, by Overlook Press. (Carkeet’s newest novel, From Away, was published last year, also by Overlook.) Double Negative is the first of three books featuring the character Jeremy Cook, who, like Carkeet, is a linguist.


We have David Carkeet's backlist available in paperback--check it out! And go here to see some of the fantastic reviews From Away received. The holidays are over--if 2011 is the year you resolve to find a new author, this might be a perfect book for you.

Four Friends, Three Assumed Identities, Two Weddings and One Very Dangerous Bet

New in bookstores this month is Iain Hollingshead's hilarious new novel Beta Male.

Hollingshead won great acclaim for his debut novel Twentysomething, which Booklist described as “pure comic gold” and the Chicago Sun-Times anointed as a “Bridget Jones’s diary for the fellas.” It also won the Literary Review’s Bad Sex in Fiction Award in 2006.

Now Hollingshead continues his absorbing and hilarious chronicles of modern men with Beta Male, a story of four friends, three assumed identities, two weddings, and one very dangerous bet. Sam Hunt is a confused male in his very late twenties. A work-shy, commitment-phobic actor, he is beginning to worry that turning thirty might be the last straw. Beta males one and all, Sam and his friends are desperately clinging to their independence, while secretly they are all terrified of ending up alone. Alan has just been proposed to by his girlfriend. Newly-dumped Ed spends his time tearfully watching Sex and the City. Meanwhile unemployed doctor Matt makes a dubious bet with Sam to see who can be the first to ensnare a rich wife and enjoy a life of leisure. Beta Male is a funny and painfully honest chronicle about friendship, masculinity, marriage and the beginning of the end of the beginning of adulthood.

Based in London, Iain Hollingshead is a feature writer at The Daily Telegraph , the editor of Am I Alone in Thinking..? Unpublished Letters to the Daily Telegraph and the author of two novels. He has also written three tie-in books for the BBC's BAFTA-winning spy drama, Spooks.