Spymaster Charles McCarry Profiled in The Weekly Standard

David Skinner reflects on the career of Charles McCarry in the new issue of The Weekly Standard. Here's a brief excerpt: "Charles McCarry, the spy novelist, has a number of bestsellers to brag about, if not the numbers or recognition of John le Carré. Still, many discriminating readers think he is better than le Carré. He is also the author of three grisly though impressive political novels, all of which trade liberally in satire and suspense. Praised for their prescience (two of them seem almost prophetic of shocking real-world events) they, too, can seem to be second-place finishers, with little of the cachet reserved for a Christopher Buckley or the audience enjoyed by, say, David Baldacci. McCarry seems to have what's required for literary stardom: winning characters, beguiling plots, fine prose, illuminating research. And the problem cannot be a matter of credentials. A former CIA operative who has worked in many locales, McCarry also has experience in Washington, where he's circulated in high-level politics and the upper reaches of magazine journalism. Sony pictures has an option on Shelley's Heart, and a forgotten Sean Connery movie was made of Better Angels, but Hollywood hasn't made enough of his work. Old Boys, a 2004 novel which revived McCarry's career, seems like an obvious candidate for a Clint Eastwood or Jack Nicholson production. In it, a likable bunch of old men, all retired CIA, take off for one last border-crossing, gun-toting, law-breaking adventure to find their missing friend, Paul Christopher, the sad-hearted hero of McCarry's spy thrillers. It is McCarry's most fun book, and its commercial and critical success led to a frantic market for copies of his other novels, all of which had been out of print. But Overlook Press began reissuing them, and the Washington-set Shelley's Heart was re-released this year.

After buying a copy of Old Boys off the remainder table at Book Revue, a nice store in Huntington, Long Island, I started reading my way through McCarry's novels. Not regularly a reader of thrillers or spy novels, I was surprised at how they lit a fire in me. Sensing an essay in my future, I arranged to interview the author. "The Harbor," the McCarry home in the Berkshires, is like the Berlin apartment of his characters Lori and Hubbard Christopher: "They lived ashore as they lived on their boat, everything ship-shape, with nothing more than they needed." And his cooking was reminiscent of food preparation in his books: simple, light, Mediterranean. For our lunch he made the best crab cakes I've had outside of Oceanaire. McCarry is tall and bald, with a hairless face and owl-like eyes that betray little but a constant flicker of mental processing.

For those who crave vérité, McCarry's years in government, on the campaign trail, and his share of face-time with impressive politicos should lend his Washington fiction every bit as much authenticity as his CIA days lend his Paul Christopher novels. The Washington novels have also delivered important news. Better Angels introduced, long before 9/11, the suicide bomber who uses his own body as a delivery device and boards commercial planes, seeking to blow them up mid-air. Shelley's Heart, published three years before the impeachment of Bill Clinton, showed America's two major parties dueling in Congress for control of the White House, as a recently appointed Supreme Court justice (who bears a strong resemblance to Ralph Nader) looks to manipulate the chaotic hearings to effect a transition from the traditional separation of powers to a rule of one--himself.

At their best, McCarry's Washington novels are about as entertaining as any by Christopher Buckley, though more intellectual. He is superb at showing how social and institutional life in Washington work, and the account is not flattering. His touch for comedy, though at times excellent, is not light. The ideas that distinguish McCarry--some of which are truly probing, a few of which are crankish--also keep him from being to everyone's taste. He tells the story of a liberal reader who complained to him that when his books describe liberals, "they actually describe our enemies." In response, McCarry said, "Precisely." Readers who take to McCarry do so with a vengeance. Christopher Buckley himself and P. J. O'Rourke both insist this fellow scholar of Washington absurdity is more than a good scribbler, in fact an important one. And connoisseurs like Otto Penzler and fellow spy novelists like Richard Condon have called McCarry's spy novels the best by an American writer.

In the late 1970s McCarry heard about another great fan. While writing a travelogue on the southwestern United States for National Geographic Books, he paid a visit to Lady Bird Johnson in Texas who, as she showed off the wildflowers on the grounds of the LBJ Ranch, turned and asked, "Are you the Mr. McCarry who wrote Tears of Autumn?" McCarry allowed that he was.
The former first lady smiled and said, "Lyndon loved that book."

Charles McCarry's SHELLEY'S HEART in Kirkus Reviews

Kirkus Reviews takes a look at Charles McCarry's Shelley's Heart, coming next month in a new hardcover edition: "There's skullduggery afoot, and plenty of political intrigue, in this latest by accomplished mysterian McCarry (Christopher's Ghosts, 2007, etc.), whose overarching message might be that one has no friends in Washington, those who call you friend are likely to do you harm, and when Republicans call you friend—well, schedule an appointment with the undertaker. McCarry's setup is out of the headlines: A conservative presidential candidate wins office via electoral fraud. This time, however, his opponent has evidence. Enter the FIS—the heir to the CIA, replacing it "after it collapsed under the weight of the failures and scandals resulting from its misuse by twentieth-century Presidents." Enter spooks, defense contractors, lobbyists and assorted other denizens of the District of Columbia—and, to boot, a few deranged assassins and Yale graduates up to no good. The plot thickens and thickens—it has to, after all, since, among other things, part of it turns on a presumptive president's debating "the advantages and disadvantages of appointing a man he believed to be an enemy of democracy as Chief Justice of the United States." There's more than one clef in this roman, which has all the requisites of a Frederick Forsyth–style thriller but adds a few modern twists, some the product of a supersecret Moroccan-born agent whose stiletto heels are the real deal. She's not the only hotty, and there's the requisite steamy sex, too, told in requisite steamy language: "His great ursine weight fell upon her with a brutality that made her gasp with pleasure." Other gasps await good guys and bad guys alike, especially when drilled by tiny bullets to the thorax and other unpleasant means of dispatch.Will democracy survive? Readers will be left guessing until the last minute. A pleasing 21st-century rejoinder to the 1962 novel Seven Days in May, and a capable whodunit."

Charles McCarry's SHELLEY'S HEART Headed for the Big Screen

Variety reports that writer/director/producer David Koepp will adapt the Charles McCarry novel Shelley's Heart into a political drama called "Article II" that he'll direct for Columbia pictures! A new hardcover edition of Shelley's Heart will be published by Overlook in April.

Shelley's Heart was originally published in 1995 to great acclaim. The novel is centered on the first presidential election of the twenty-first century, bitterly contested by two men who are implacable political rivals but lifelong personal friends, is stolen through computer fraud. On the eve of the Inauguration, the losing candidate presents proof of the crime to his opponent, the incumbent President, and demands that he stand aside. The winner refuses and takes the oath of office, thereby setting in motion what may destroy him and his party, and bring down the Constitution. From this crisis, McCarry, author of the classic thrillers The Tears of Autumn and The Last Supper weaves a masterpiece of political intrigue. Shelley’s Heart is so gripping in its realism and so striking in its foresight that McCarry’s devoted readers may view this tale of love, murder, betrayal, and life-or-death struggle for the political soul of America as an astonishing act of prophecy.

An Agent of Disclosure: CHARLES McCARRY Profiled in Australia's The Age

Legendary spy novelist Charles McCarry is profiled in The Age, a newspaper in Melbourne, Australia. In a wide-ranging interview McCarry talks to reporter Kevin Rabaleis about his tenure in the CIA and his second career as one of this generation's most-admired novelists.

"I don't think of the books as spy novels," McCarry says. "When I began to write, in my naivety, I thought that I could write about espionage, which is an interesting world because everything is right out on the surface. In theory, at least, all secrets are known, at least in the Organisation. I just thought, probably because it is so much like fiction, that it was a natural subject for fiction and for the novel."

Since 1973, McCarry has produced 1½ million words of page-turning thrillers — so-called spy novels from a literary writer of often-prophetic perception. In The Better Angels (1979), for instance, he writes of America in the last decade of the 20th century when terrorists use passenger-filled planes as their weapons. These and McCarry's other novels of Paul Christopher and his family are essential volumes in the pantheon of contemporary American fiction, where for equivalents — as far as books with recurring characters go — one must look to John Updike's "Rabbit" Angstrom series or Philip Roth's Nathan Zuckerman books.

"I taught myself to read at the age of four," McCarry says. "I've been a voracious reader all of my life. In that sense, my books have many authors — that is, authors whom I have read in the course of my lifetime. And there are a lot of them. I'm 78 years old. I think I owe something to them. Literature, to me, is a living creature. I think that you owe it something."

Charles McCarry's THE BETTER ANGELS in the Toronto Star

Charles McCarry's 1979 thriller, The Better Angels, is reviewed in the Toronto Star: "In the course of Charles McCarry's recently released thriller, The Better Angels, Arab terrorists lay plans to crash domestic passenger planes into Western targets. Ah, the unwary reader concludes, McCarry is borrowing from the most terrible episode in early 21st century American history. No, no, the more informed reader realizes, McCarry isn't repeating history. In a remarkable feat of prescience, his book actually anticipates future events. McCarry wrote and published The Better Angels in 1979. Now, in a worthy venture, the American publisher Overlook has launched a program of reissuing McCarry's past novels in new hardcover copies. The series begins with The Better Angels, which happens to be a timely choice for more reasons than McCarry's foreshadowing of 9/11. This kind of extravagant stuff sounds like leftovers from a lame Tom Clancy novel, but in McCarry's sophisticated hands, the material becomes engrossing and convincing. McCarry's own background is in diplomacy and espionage. A man now in his 80s, he began his political life in the Eisenhower administration and later worked as a CIA undercover operative for nine years. He says his two writing influences are Somerset Maugham and Richard Condon. His books reflect the civilized treachery of Maugham's spy novels and the subversive imagination of Condon's thrillers. The talent for predicting is exclusively McCarry's own. Apart from getting 9/11 right, he seems to have been one of the earliest thriller writers to work computers into his plot. As an instrument in Horace Hubbard's machinations, his number one assistant gets "computers talking to one another." It's true that only a minute group of people in the entire world are aware of computers in The Better Angels, but it seems remarkable that, as early as 1979, McCarry even considered a computer as an essential plot device. It seems certain that McCarry's imagination, freewheeling and abundant as it was in 1979, would never have conceived of a Sarah Palin appearing as any party's vice-presidential candidate." - Jack Batten

New in Paperback: CHRISTOPHER'S GHOSTS by Charles McCarry

Charles McCarry's electrifying Christopher's Ghosts is now available in a handsome trade paperback edition from Overlook. In McCarry's first work since the astonishing revival of his legendary espionage novels, Paul Christopher is back–but so is the only adversary that ever eluded him. The grand tale begins in Europe in the late thirties, where a young Christopher and his family are struggling against the rise of Nazi totalitarianism in Berlin, even as he wrestles with a doomed love affair and bears witness to an unspeakable atrocity committed by a remorseless S.S. officer. The action spans oceans and time to the height of the Cold War in Europe, when the S.S. man emerges out of the ruins of postwar Germany to destroy the last living witness to his crime. It’s a case of tiger chasing tiger as Christopher is pursued by the only man alive who can match his tradecraft or his instincts. As he edges toward the final confrontation with this mortal enemy, Christopher is forced to operate in the one theater he had thought he had mastered—his own past.

More Praise for CHARLES McCARRY

With the paperback releases of The Tears of Autumn and The Miernik Dossier, and the hardcover reissue of Second Sight, the great Charles McCarry is back in the spotlight.

The December issue of Men's Journal magazine features a list of the Top Literary Thrillers ever written and coming in at #5 is The Tears of Autumn, McCarry's international bestseller now available in a new trade paperback edition. This classic Paul Christopher novel, originally published in 1974, explores the JFK assasination. In the current issue of The Kenyon Review, Andre Bernard writes of his own recent discovery of The Tears of Autumn: "McCarry's style is just terrific. He's wonderfully fluid, writing elegantly yet succintly about the underbelly of government. His characters are fully formed, his landscapes and cities are real breathing things. He fills his tale with casual yet vital tidbits about the trade of spies, and whether they are true to life or imagined the resulting picture is stunningly vivid. He has a flair for summing up history and conjuring a vision of an out-of-control American military establishment. . . If you haven't discovered McCarry, now is the time to head to your local bookstore."

McCarry's latest novel, Christopher's Ghosts, was published in May, and continues to earn rave reviews from all over the world. In the November Commentary, Brian M. Carney offers a thoughtful review of McCarry's compelling tale of a young Paul Christopher in pre-war Berlin, and concludes: "You need not have read a Paul Christopher novel to appreciate Christopher's Ghosts. (In my opinion, the masterpiece among McCarry's works is The Last Supper). But if this is your first, it is unlikely to be your last." And from down under, The Sydney Morning Herald declares "McCarry has written an elegant historical novel elaborating the formative moments in the life of his recurring character, CIA operative Paul Christopher. Christopher's Ghosts is a kind or prequel for those lucky enough to have discovered McCarry earlier. And if you haven't, it may be a good place to start before backtracking through the catalogue of an author whom P.J. O'Rourke describes as the best modern writer on the subject of intrigue."

Overlook Thriller: Charles McCarry's THE MIERNIK DOSSIER

Now in paperback for the first time in many, many years is Charles McCarry's legendary debut novel The Miernik Dossier. This is Mac's introduction to that eminent spy of all spies, Paul Christopher, who is an American agent in deep cover in the twilight world of international intrigue. Originally published in 1973, The Miernik Dossier is one of the great spy novels of our generation and the perfect companion to The Tears of Autumn, also new in the trade paperback format.