Showing posts with label crime fiction. Show all posts
Showing posts with label crime fiction. Show all posts

Tuesday, September 07, 2010

A wonderful reception for Susan Hill's SHADOWS IN THE STREET


Susan Hill's latest Simon Serralier mystery, SHADOWS IN THE STREET, went on sale in the U.S. last Thursday, and we're thrilled to see that others are loving her wonderful work as much as we are. Did you miss her review in the New York Times? See below for the full review and some other praise that has been rolling in for SHADOWS IN THE STREET.

"As every Trollope reader knows, English cathedral towns can be hotbeds of viciousness and vice. And so it is in Lafferton, where Susan Hill sets her thoughtful mysteries. As if it weren’t bad enough that flesh traffickers from Eastern Europe have been deploying a small army of underage prostitutes on the edge of town in THE SHADOWS IN THE STREET (Overlook, $24.95), the unpopular new dean of the cathedral, a “happy-clappy” Anglican evangelical, and his overbearing wife (“the Mrs. Proudie of St. Michael’s”) are hell-bent on saving the souls of these “Magdalenes,” whether they like it or not. Simon Serrailler, the brooding detective hero, doesn’t appear on the scene until a serial killer begins picking off some of the local working girls who’ve been displaced by the foreign competition. But his absence allows Hill to direct her elegant prose to other characters, especially Serrailler’s widowed sister, observed in depth as she struggles to live with her grief." -- The New York Times

“This is the fifth of Hill's exceptional series (after The Various Haunts of Men, The Pure in Heart, The Risk of Darkness, and The Vows of Silence). Her characters continue to be intelligent and engaging, and the perfect balance of drama, atmosphere, and suspense holds the reader to the very last page. Highly recommended for fans of thoughtful British mysteries, especially those written by P.D. James, Martha Grimes, and Tana French.” -- Library Journal (starred review)

“It is really the characters that are so strong in these novels and even the minor characters are brought to life... As usual, I thoroughly enjoyed this book.” -- Canadian Bookworm Blog

“Hill continues to engage us with fresh characters and intriguing story lines.” -- MostlyFiction.com

"Right from its rain drenched opening lines, Shadows draws the reader into its bleak landscape. Hill is a master at creating atmosphere – the autumn chill hovering over the town seeps right into the story, and tightens its hold on the reader as the plot hurtles towards its climax… strong writing, taut pace and finely etched characters” -- BookPleasures.com

Thursday, August 05, 2010

Jim Nisbet at his "Wildest and Weirdest!"

Jim Nisbet's Windward Passage continues to received extraordinary review attention from all over the globe. Here's a new one, written by book critic Woody Haut for Crime Time, a terrific website from the International Association of Crime Writers:

"Jim Nisbet, author of The Damned Don't Die, Lethal Injection, Prelude to a Scream, Death Puppet and Price of the Ticket has long been one of my favorite noirists. In Windward Passage, his tenth book, he pulls out all the stops, combining his long-standing noir sensibilities with an off-the-wall post-modern disposition and cultural critique. Pacey, but filled with enough tropes to keep the most hardcore Jim Thompsonite happy- at least those partial to the final section of The Getaway or the surrealism of Savage Night- Windward Passage centres on a ship that sinks in the Caribbean, its captain chained to the mast. A logbook, a partially written novel, a brick of cocaine and the DNA of a President are all that remain. The appropriately named dead sailor's sister, Tipsy lives in San Francisco, where she hangs out at bars with her gay friend Quentin. That is until she runs into Red, Tipsy's brother's old employer.

Scrambling genres and voices, Windward Passage flits around geographically as well as linguistically, high-tailing it from San Francisco to the Caribbean and back again, dove-tailing from fast-talking, never-less-than-witty dialogue to tangential asides, reportage, paradoxical quips and a novel within a novel. With his ear to the ground, Nesbit not only updates the traditional noir narrative, combining it with a sea adventure story, conundrums, a dash of cyberpunk, and a sprinkling of literary concerns (including the likes of Tom Raworth, Paustovsky and Leonard Clark's The Rivers Ran East). From a prologue that will leave you scratching your head for at least a hundred pages, Windward Passage sometimes reads like a hardboiled Saragossa Manuscript, and bound to appeal to anyone looking beyond the confines of the genre. Still, I remember thinking while reading the novel that this is the sort of book we're told doesn't get published these days. So hat's off not only to Nisbet, but to Overlook Press. Because this is Nisbet at his wildest and weirdest. I'm still not sure what it all adds up to, other than an entertaining, insightful and highly recommended adventure."